Artist Spotlight: For Berlin-based multidisciplinary artist Anastasia Pilepchuk (@nastia_pilepchuk), mask making begins with the need to give form to something internal, untranslatable into language. A ritual of slowing down, following texture, letting form build itself through process. Drawing from the body, natural patterns, and material repetition, her work sits
at the threshold between object and transformation.

Fast forward 1000 years and she says, “Maybe the face itself becomes a kind of interface,
something that shifts depending on context. In a way, closer to what masks already are.”

Artist Spotlight: For Berlin-based multidisciplinary artist Anastasia Pilepchuk (@nastia_pilepchuk), mask making begins with the need to give form to something internal, untranslatable into language. A ritual of slowing down, following texture, letting form build itself through process. Drawing from the body, natural patterns, and material repetition, her work sits at the threshold between object and transformation. Fast forward 1000 years and she says, “Maybe the face itself becomes a kind of interface, something that shifts depending on context. In a way, closer to what masks already are.” | Milk Studios

Milk Studios
More from Milk Studios
In ‘Anima,’ Paris-based documentary photogr...
A series of threaded works from Amsterdam b...
In ‘Anima,’ Paris-based documentary photogr...
BALLET by Thibaut Grevet (@thibautgrevet)
Hair do’s, over the years and across the wo...
‘Manos Benditas,’ a photo project photograp...
Artist Spotlight: For London-based multi-me...
In ‘Anima,’ Paris-based documentary photogr...
Artist Spotlight: For London-based multi-me...
In ‘Anima,’ Paris-based documentary photogr...
Artist Spotlight: For Berlin-based multidis...
Hair do’s, over the years and across the wo...
Artist Spotlight: For London-based multi-me...
Artist Spotlight: Brazilian textile artist ...